Gift Death Derrida Pdf
In this newest installment in Chicago’s series of Jacques Derrida’s seminars, the renowned philosopher attempts one of his most ambitious goals: the first truly philosophical argument against the death penalty. While much has been written against the death penalty, Derrida contends that Western philosophy is massively, if not always overtly, complicit with a logic in which a sovereign state has the right to take a life. Haunted by this notion, he turns to the key places where such logic has been established—and to the place it has been most effectively challenged: literature.With his signature genius and patient yet dazzling readings of an impressive breadth of texts, Derrida examines everything from the Bible to Plato to Camus to Jean Genet, with special attention to Kant and post–World War II juridical texts, to draw the landscape of death penalty discourses. Keeping clearly in view the death rows and execution chambers of the United States, he shows how arguments surrounding cruel and unusual punishment depend on what he calls an “anesthesial logic,” which has also driven the development of death penalty technology from the French guillotine to lethal injection. Confronting a demand for philosophical rigor, he pursues provocative analyses of the shortcomings of abolitionist discourse.
Above all, he argues that the death penalty and its attendant technologies are products of a desire to put an end to one of the most fundamental qualities of our finite existence: the radical uncertainty of when we will die. Foreword to the English EditionGeneral Introduction to the French EditionEditorial NoteFirst Session, December 8, 1999First Session, December 8, 1999 (continued)Second Session, December 15, 1999Third Session, January 12, 2000Fourth Session, January 19, 2000Fifth Session, January 26, 2000Sixth Session, February 2, 2000Seventh Session, February 9, 2000Eighth Session, February 23, 2000Ninth Session, March 1/8, 2000Tenth Session, March 15, 2000Eleventh Session, March 22, 2000Index of Names. “Those who attended Derrida’s seminars and saw him ‘live’ will have been struck by the contrast between his reputation as a “notoriously difficult philosopher” (to quote The New York Times obituary) and the articulate, focused presentation on display in his classroom. His commentaries on the nuances of a single sentence or word were legendary for their length and intricacy, but he never failed to foreground the fundamental stakes of the debates at hand and the central questions motivating the analysis. The result was a rare combination of erudition, argumentative dexterity, and a style of interpretation that made it clear that the real master in the room was the text at hand. What is certain is that this Death Penalty volume offers a rich, innovative approach to a confounding topic.
One can only hope that it will be broadly read and debated.”.
Jacques Derrida took up with vigor the Socratic vocation of philosophy as a kind of dying. Notoriously linked to discourses on 'the death of the author' (and almost universally misunderstood on this score), Derrida's work was regularly haunted by ghosts.
Death inscribed itself in his corpus and has now left its mark on his body, and we are left to mourn. But that is only to say that we are left with the task of deconstruction: what Derrida described as the work of mourning. It is not without reason that some of his most powerful meditationson Levinas, de Man, Deleuze, Lyotard and otherscome to us in the form of eulogies and memorials.It has been the mistake of his criticsboth in the academy and mediato conclude from Derrida's preoccupation with death that deconstruction is simply the next nihilism. And so Derrida has been vilified as the enemy of truth, justice, the university, and many more of our cherished institutions and values. The myths and liesyes, liesabout Derrida persist even in his death (Jonathan Kandell's obituary in was a travesty).But this is a picture of Derrida and deconstruction that one could maintain only by failing to read him.
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Gift Death Derrida Pdf Online
For in the endor better, from the beginningdeconstruction is a work of love. Far from being a mere 'method' for critique, Derrida was at pains to demonstrate the essentially productive aspect of deconstruction. 'It is not negative,' he once commented, 'For me, it always accompanies an affirmative exigency. I would even say that it never proceeds without love.' The news of Derrida's death came as a surprise, though we've known of his illness for over a year now.
Derrida Positions Pdf
Most surprising is how sad it has made me.